Our show notes contain affiliate links. If you purchase items through our links, we make a commission. This post, and all the posts here on our website, may contain such links.
Welcome to Episode 173 of That Shakespeare Life the podcast that takes you behind the curtain and into the real life and history of William Shakespeare by interviewing the experts who know him best.
Bridewell Palace was built in the early 16th century as a residence for King Henry VIII. The palace was a unique structure because it deviated from the architectural designs of the time period by not having a great hall and featuring an elaborate staircase. It was also constructed around a large inner courtyard. Under Edward VI in the 1550s, Bridewell Palace was given to the City of London as a home for the city’s homeless children and a place of punishment for “disorderly women.” It was run in conjunction with Bedlam Hospital throughout Shakespeare’s lifetime and formed the blueprint for later large prisons, including the Clirkenwell Bridwell prison opened as a correctional institute for prostitutes and vagrants in 1615 and Tothill Fields Bridewell prison that was opened in 1618 in Westminster. The building itself was mostly destroyed by the Great Fire of London in 1666, but the reputation of Bridwell would far outlast the original structure, with the term “bridewell” continuing in use around the world into the present day as a term for a city’s detention facility, usually close to a courthouse.
Here today to explain the history of Bridewell Prison is our guest, Duncan Salkeld.
Duncan Salkeld is Professor Emeritus of Shakespeare and Renaissance Literature at the University of Chichester, and Visiting Professor at The University of Roehampton. He is author of three monographs: Madness and Drama in the Age of Shakespeare (Manchester University Press, 1993), Shakespeare Among the Courtesans: Prostitution, Literature and Drama 1500-1650 (Ashgate, 2012), and Shakespeare and London (Oxford UP, 2018). He is also the author of numerous articles and book chapters. He runs specialist online courses in early modern palaeography. Contact Duncan Here.
In this episode, I’ll be asking Duncan Salkeld about :
- Edward VI’s establishment of Bridewell as a home for the vagrant children of London sounds benevolent at first glance, but wasn’t vagrancy a crime in early modern England? Was this “home” actually a prison for the children seen as riff raff on the streets?
- Bridewell is referred to as a “house of correction”. Was the purpose of being sent to Bridewell to rehabilitate criminals and return them to society?
- Bridewell would become a blueprint for prisons around the world for centuries after Bridewell Prison was established in 16th century London. Why was Bridewell considered so successful?
- … and more!
A prison for a debtor, that not dares
To stride a limit.
Bridewell Palace shown on the “Copperplate” map of London, surveyed between 1553 and 1559, showing the former Bridewell Palace, with its frontage on the River Thames, and extending along the bank of the River Fleet towards St Bride's Church (visible in the background). circa 1553. Unknown author. This digital version is provided by Ann Saunders and John Schofield (eds), Tudor London: a map and a view (2001). Public Domain. Source
Get access to archival images, bonus history content, and learn more links available inside the Detailed Show Notes for today's episode. If you're already a member, click the link below to access the detailed notes right now.
Not yet a member? Then sign up today! Detailed show notes are just one of many benefits of being a member.
Comment and Share
Please consider rating the podcast with 5 stars and leaving a one- or two-sentence review in iTunes or on Stitcher. Rating the podcast helps tremendously with bringing the podcast to the attention of others.
By all means, if you know someone you think would love to learn about the life of William Shakespeare, please spread the word by using the share buttons on this page.
And remember: In order to really know William Shakespeare, you have to go behind the curtain, and into That Shakespeare Life.